Hatz

Hatz builds its closed and open voices from two different noise sources, Metals, a high-frequency square-wave oscillation, and Texture, a digital stepped noise, so the two hats can sit apart in character, not just in decay time, with independent 2-pole filters and CV control shaping each.

A choke switch lets the closed voice cut off the open one the way a real hi-hat pedal would, so the pair reads as one physical instrument instead of two unrelated triggers, while body control, linear or exponential decay, and an accent input with its own attenuator round out the drum-machine-style shaping on each channel.